{"id":701,"date":"2021-10-15T06:02:33","date_gmt":"2021-10-15T06:02:33","guid":{"rendered":"http:\/\/hotcritics.com\/?p=701"},"modified":"2021-10-15T06:02:33","modified_gmt":"2021-10-15T06:02:33","slug":"the-french-dispatch","status":"publish","type":"post","link":"https:\/\/www.hotcritics.com\/?p=701","title":{"rendered":"The French Dispatch"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><strong>Regie:<\/strong> Wes Anderson<\/p>\n\n\n\n<p><br><strong>Darsteller:<\/strong> Benicio Del Toro, Adrien Brody, Tilda Swinton, L\u00e9a Seydoux, Frances McDormand, Timoth\u00e9e Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray, Owen Wilson, Christoph Waltz, Edward Norton, Jason Schwartzman, Anjelica Huston<\/p>\n\n\n\n<p><br><strong>Kinostart<\/strong> 21.10.2021<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"749\" src=\"http:\/\/hotcritics.com\/wp-content\/uploads\/2021\/10\/01R1_TFD_OB_002_0010_V022_1282-1024x749.jpg\" alt=\"\" class=\"wp-image-703\" srcset=\"https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/01R1_TFD_OB_002_0010_V022_1282-1024x749.jpg 1024w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/01R1_TFD_OB_002_0010_V022_1282-300x219.jpg 300w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/01R1_TFD_OB_002_0010_V022_1282-768x562.jpg 768w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/01R1_TFD_OB_002_0010_V022_1282-1536x1123.jpg 1536w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/01R1_TFD_OB_002_0010_V022_1282-2048x1498.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>THE FRENCH DISPATCH. Photo Courtesy of  Searchlight Pictures. \u00a9 2020 Twentieth Century Fox Film Corporation All Rights Reserved<\/figcaption><\/figure>\n\n\n\n<p>THE FRENCH DISPATCH erweckt eine Sammlung von Geschichten aus der letzten Ausgabe einer amerikanischen Zeitschrift zu Leben, welche in einer fiktiven franz\u00f6sischen Stadt im 20. Jahrhundert erscheint. F\u00fcr die Idee, einige Geschichten und die Regie zeichnet Wes Anderson verantwortlich. Schon von der ersten Sekunde des Films ist seine Handschrift sp\u00fcrbar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" src=\"http:\/\/hotcritics.com\/wp-content\/uploads\/2021\/10\/03R6_TFD_AD_145_0030_V017_1032_R-1024x750.jpg\" alt=\"\" class=\"wp-image-704\" srcset=\"https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/03R6_TFD_AD_145_0030_V017_1032_R-1024x750.jpg 1024w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/03R6_TFD_AD_145_0030_V017_1032_R-300x220.jpg 300w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/03R6_TFD_AD_145_0030_V017_1032_R-768x562.jpg 768w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/03R6_TFD_AD_145_0030_V017_1032_R-1536x1124.jpg 1536w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/03R6_TFD_AD_145_0030_V017_1032_R-2048x1499.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>(From L-R): Elisabeth Moss, Owen Wilson, Tilda Swinton, Fisher Stevens and Griffin Dunne in the film THE FRENCH DISPATCH. Photo Courtesy of  Searchlight Pictures. \u00a9 2020 Twentieth Century Fox Film Corporation All Rights Reserved<\/figcaption><\/figure>\n\n\n\n<p>So ist das Format ab Start ungew\u00f6hnlich. Eben nicht Cinemascope sondern quadratisch. So wie schon dadurch unsere Sichtgewohnheit irritiert ist, so geht es im Film dauernd fort. Die Kamera ist \u00f6fter fixiert und wie in einem Wimmelbild bewegen sich die Schauspieler im Raum. Ungew\u00f6hnliche Perspektiven und Ansichten prasseln aufeinander. In all dem werden die au\u00dfergew\u00f6hnlichen Geschichten erz\u00e4hlt und lassen uns atemlos zur\u00fcck.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"748\" src=\"http:\/\/hotcritics.com\/wp-content\/uploads\/2021\/10\/06R4_TFD_TW_094_0760_V011_1075-1024x748.jpg\" alt=\"\" class=\"wp-image-705\" srcset=\"https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/06R4_TFD_TW_094_0760_V011_1075-1024x748.jpg 1024w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/06R4_TFD_TW_094_0760_V011_1075-300x219.jpg 300w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/06R4_TFD_TW_094_0760_V011_1075-768x561.jpg 768w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/06R4_TFD_TW_094_0760_V011_1075-1536x1122.jpg 1536w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/06R4_TFD_TW_094_0760_V011_1075-2048x1496.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Noch lange nach dem Film tauchen die intensiven Bilder immer wieder vor unserem geistigem Auge auf. Ungefragt, aber inspirierend. Das Wes Anderson wie schon so oft auf einen phantastischen Cast zur\u00fcckgreifen kann ist ein Segen. Denn dadurch werden die Geschichten noch greifbarer, echter und intensiver. Alles wird aber durchzogen vom Geist von Bill Murray dem Chefredakteur.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" src=\"http:\/\/hotcritics.com\/wp-content\/uploads\/2021\/10\/009a_FD_SG_07449-1024x750.jpg\" alt=\"\" class=\"wp-image-706\" srcset=\"https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/009a_FD_SG_07449-1024x750.jpg 1024w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/009a_FD_SG_07449-300x220.jpg 300w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/009a_FD_SG_07449-768x563.jpg 768w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/009a_FD_SG_07449-1536x1126.jpg 1536w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/009a_FD_SG_07449-2048x1501.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>(From L-R): Bill Murray, Wally Wolodarsky and Jeffrey Wright in the film THE FRENCH DISPATCH. Photo Courtesy of Searchlight Pictures. \u00a9 2021 20th Century Studios All Rights Reserved<\/figcaption><\/figure>\n\n\n\n<p>Er gibt den Rahmen vor, legt die entscheidenden Weichen um und nimmt Textpassagen \u2013 immer in Abstimmung mit den Redakteuren \u2013 rein oder raus. Dazu sorgt er sich um seinen kreativen Stab und hat diesen auch handverlesen. Selbst der Kellner der jeden Tag die Bestellungen von der Bar bis in den 4ten Stock bringt wird in den kreativen Prozess mit eingebunden.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" src=\"http:\/\/hotcritics.com\/wp-content\/uploads\/2021\/10\/17R1_TFD_OB_020_0150_V029_blfx_v1_8730-1024x750.jpg\" alt=\"\" class=\"wp-image-708\" srcset=\"https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/17R1_TFD_OB_020_0150_V029_blfx_v1_8730-1024x750.jpg 1024w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/17R1_TFD_OB_020_0150_V029_blfx_v1_8730-300x220.jpg 300w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/17R1_TFD_OB_020_0150_V029_blfx_v1_8730-768x562.jpg 768w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/17R1_TFD_OB_020_0150_V029_blfx_v1_8730-1536x1125.jpg 1536w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/17R1_TFD_OB_020_0150_V029_blfx_v1_8730-2048x1500.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Bill Murray and Pablo Pauly in the film THE FRENCH DISPATCH. Photo Courtesy of  Searchlight Pictures. \u00a9 2020 Twentieth Century Fox Film Corporation All Rights Reserved<\/figcaption><\/figure>\n\n\n\n<p>Am Ende w\u00fcnscht man sich, dass es \u201eThe French Dispatch\u201c wirklich gegeben h\u00e4tte und man jeden Monat einen solchen Film sehen kann. Was f\u00fcr ein Fest, aber vermutlich bleibt auch \u201eThe French Dispatch\u201c wieder einzigartig, wie so viele Filme von Wes Anderson.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"http:\/\/hotcritics.com\/wp-content\/uploads\/2021\/10\/0H8A3174-1024x683.jpg\" alt=\"\" class=\"wp-image-702\" srcset=\"https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/0H8A3174-1024x683.jpg 1024w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/0H8A3174-300x200.jpg 300w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/0H8A3174-768x512.jpg 768w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/0H8A3174-1536x1024.jpg 1536w, https:\/\/www.hotcritics.com\/wp-content\/uploads\/2021\/10\/0H8A3174-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u201cThe French Dispatch\u201d Red Carpet &#8211; The 74th Annual Cannes Film Festival\nCANNES, FRANCE &#8211; JULY 12: [ Wes Anderson, Mathieu Amalric, Bill Murray, Tilda Swinton, Timoth\u00e9e Chalamet, Adrien Brody, Lyna Khoudri, Hippolyte Girardot,  Owen Wilson, Alexandre Desplat, Benicio del Toro, ] attends the \u201cThe French Dispatch\u201d Screening during the 74th annual Cannes Film Festival on July 12, 2021 in Cannes, France. (Photo by Serge Arnal For Disney Studios) *** Cannes***<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Regie: Wes Anderson Darsteller: Benicio Del Toro, Adrien Brody, Tilda Swinton, L\u00e9a Seydoux, Frances McDormand, Timoth\u00e9e Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray, Owen Wilson, Christoph Waltz, Edward Norton, Jason Schwartzman, Anjelica Huston Kinostart 21.10.2021 THE FRENCH DISPATCH erweckt eine Sammlung von Geschichten aus der letzten Ausgabe einer amerikanischen Zeitschrift zu &hellip; <a href=\"https:\/\/www.hotcritics.com\/?p=701\" class=\"more-link\"><span class=\"screen-reader-text\">The French Dispatch<\/span> weiterlesen <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":720,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=\/wp\/v2\/posts\/701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=701"}],"version-history":[{"count":2,"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=\/wp\/v2\/posts\/701\/revisions"}],"predecessor-version":[{"id":721,"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=\/wp\/v2\/posts\/701\/revisions\/721"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=\/wp\/v2\/media\/720"}],"wp:attachment":[{"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hotcritics.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}